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Serial Misfit's avatar

Exactly the same case in Australia, where the aboriginals used controlled fires for millennia, lived in equilibrium with nature, but didn't build stuff. All the British settlers saw was "terra nullis", started building and planting anywhere they fancied, worked hard to tame the land to their liking, imported flora and fauna destructive to the local ecosystem,.....and then they had to build rabbit proof fences across the continent, and scratch their heads every time fires destroyed everything they built.

The "savages" watched on in disbelief and dismay.

To this day the Australia government refuses to include aboriginal elders to guide them with fire management, even after the apocalypse of 2019-20, which burned a whooping 24 million hectares and killed or displaced 1,5 billion animals.

While the whole nation watched in helpless heartbreak, our prime minister was sipping cocktails in a Hawaii resort, and vehemently denied he was on holidays up until his photos on the beach were published, whereupon he hastily returned to forcibly shake the hands of people who had lost everything and who cried en masse "FUCK OFF MORRISON!!!", which became a national chant.

They had cut funding to the fire department previously, and insurance companies refused to compensate for "natural disasters".

Sounds familiar?

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Bufo74's avatar

Great article . So many unforeseen consequences.

Blue Box is a thought-provoking documentary film directed by Michal Weits, exploring the complex legacy of her great-grandfather Joseph Weitz and his role in the acquisition of Palestinian lands for Jewish settlement. The film delves into the controversial history of the Jewish National Fund (JNF) and its Blue Box campaign, which raised funds internationally to purchase and afforest land in Palestine.

The documentary takes its title from the iconic blue collection boxes used by the JNF to gather donations from Jewish communities worldwide. These donations enabled the organization to acquire and develop Palestinian Arab lands from the 1930s through the early years of Israeli statehood.

Michal Weits uses her great-grandfather’s extensive personal diaries, spanning 5,000 pages and covering about 80 years of history, as a primary source for the film. Through these writings, archival footage, and interviews with family members, she uncovers the moral dilemmas and conflicting emotions Joseph Weitz experienced as he orchestrated the land acquisitions that would shape modern Israel.

The film presents a nuanced portrait of Joseph Weitz, known both as the “Father of Israel’s Forests” for his role in the country’s afforestation efforts, and more controversially as the “Architect of Transfer” for his involvement in displacing Arab communities. Weits grapples with her family’s legacy and the broader implications of these historical actions on the ongoing Israeli-Palestinian conflict.

Blue Box has received critical acclaim for its brave and authoritatively documented account of this pivotal period in Israeli history. The film challenges viewers to confront uncomfortable truths about the founding of Israel while offering a deeply personal perspective on a family’s connection to these momentous events.

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